- BRIB, (in development)
- November (in production)
- Epilogue, 2015, 9:50
- The Indians, the Eagle and the Turkey, 2014, 48:00
- At the Threshold, 2013, 75:00
- List Here we Remain, 2010, 52:00
- Dear Rosalía, 2008, 8:06
- “When are you coming back?”, 2005, 40:47
- Coq’n’roll, 2003, 1:27
After exploring the many possibilities of multimedia during her studies in communication, Iphigénie became interested in documentary filmmaking, working in just about every key position — director, producer, DOP, soundperson and editor. In 2003, she co-founded the production company Les glaneuses, co-directing several linear documentaries before dedicating herself to BRIB, a project that allows her to explore more innovative narrative forms alongside a diverse team of creators. No matter what topic she sets her sights on, her approach is informed by issues of cultural identity, community involvement and collective memory. It has been several years since Iphigénie is actively involved as filmmaker-trainer in a project that encourages cultural validation through the appropriation of media by Mapuche and Atikamekw indigenous communities, a project that is collaboratively run by organizations and groups in Québec and Wallmapu (Mapuche territory). She was recently elected to the board of directors of the International Association of Women in Radio and Television (IAWRT).
KARINE VAN AMERINGEN
After studying in media arts and communications, Karine van Ameringen dove into the world of documentary as a filmmaker. In 2003, she co-founded the production company Les glaneuses, allowing her to also take on the role of producer. Since then, she has been director, camerawoman and editor of several short and feature length documentary films. For a number of years, Karine also worked as a filmmaker-trainer with members of different First Nations communities in Québec, with the project Wapikoni Mobile. Constantly in search of renewal, she also collaborates with other filmmakers. She was director of photography for Marie-Geneviève Chabot's En attendant le printemps, Jutra winner for best documentary in 2013. Recently, the winding path she has followed as an artist led her to new narrative forms. Alongside a multidisciplinary team, she created BRIB, a transmedia documentary experience that merges interactivity, place, intangible heritage and filmmaking. Whether participatory or linear, Karine's work draws inspiration from communities at home and abroad, exploring human encounters, intimacy, exile and cultural transformation.